Maison d’édition · Montréal
Véhicule Press
34 livres · 32 auteur·rices
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Véhicule Press began in 1973 on the premises of Véhicule Art Inc., one of Canada’s first artist-run galleries. The large space occupied by both the gallery and the press at 61 Ste-Catherine St. West was once the Café Montmarte–a renowned jazz club of the 1930s. (See Stepping Out: The Golden Age of Montreal Night Clubs.) Guy Lavoie (designer of the Véhicule Press logo), Annie Nayer, Marshalore, and Vivian Jemelka-White began using equipment inherited from Kenny Hertz’s defunct Ingluvin Publications and an idle, ancient ATF Chief 20 printing press originally purchased by artist Tom Dean to print Beaux-Arts magazine.
In 1975 the press became Coopérative d’Imprimerie Véhicule–Quebec’s only cooperatively-owned printing and publishing company. Véhicule Press was the publishing imprint of the co-op. In late spring 1977, Véhicule Press moved to 1000 Clark Street in the heart of Chinatown, and in 1980 moved to an industrial space located on Ontario Street East.
In spring 1981, the co-op was dissolved and Simon Dardick (who had joined the press during the summer of 1973) and Nancy Marrelli continued Véhicule Press from a greystone in the Plateau Mont-Royal arrondissement, not far from Boulevard Saint-Laurent–The Main–and around the corner from where the poet Émile Nelligan once lived.
Since 1973 Véhicule Press has published award-winning poetry, fiction, essays, translations, and vintage noir. Simon Dardick and Nancy Marrelli are the publishers and general editors; Jennifer Varkonyi is responsible for marketing and promotion; and Patrick Goddard for all things related to administration. Michael Harris was the founding editor of the Signal Editions poetry series in 1981. Carmine Starnino became Signal Editions editor in January 2001 and associate publisher in 2021. Michael Prior became editor of the Signal poetry series in 2025. Since 1981, over 180 titles have been published in the series; many of them by first-time authors. In December 2013, after editing 20 books in the series, Andrew Steinmetz stepped down as editor of Esplanade Books, our fiction series, and was succeeded by novelist Dimitri Nasrallah. In 2025 Curtis John McRae became fiction editor.
We acknowledge and respect that that we are publishing from Tiohtià:ke, the Mohawk name for a historic place for gathering and trade for many First Nations. It is unceded traditional Indigenous territory, where the lands and people have a history and legacy that is long and deep, and on which there have now been non-Indigenous settlers for more than 375 years. It has been home to many Indigenous people from across Turtle Island, as are the many traditional territories in which all Canadian publishers work and live. As publishers we know we cannot re-write our history but we can be part of a concerted effort to contribute to reconciliation between Indigenous Peoples and Settlers—we have a special role to play in that process
Présentation tirée du site de la maison d’édition.
Parus (34)
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We Drove All Day for This Bruce Taylor
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Qaf’s People Sadiqa de Meijer
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My Summer Vacation Zeenat Nagree
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Cannibal Rats Richard Greene
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Morgan’s Castle Jan Hilliard
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How to Move On Joel Yanofsky
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Private Number David Homel
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Fan Mail Jason Guriel
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The Inferno Dante Alighieri
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Quietly, Loving Everyone Curtis John McRae
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Stolen Plums Alice Turski
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Fugue Body Bridget Huh
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Subterrane Valérie Bah
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One River Ricardo Sternberg
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Interrobang Mary Dalton
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Kilworthy Tanner Jean Marc Ah-Sen
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The Civilizing Discourse Evan Jones
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National Animal Derek Webster
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The War You Don’t Hate Blaise Ndala
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Talking to Strangers Rhea Tregebov
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My Brother’s Keeper Sheila Kindellan-Sheehan
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Whispering City Horace Brown
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States of Emergency Yoyo Comay
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Spirits in the Dark H. Nigel Thomas
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Cathedral/Grove Susan Glickman
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Quicker Than The Eye Joe Fiorito
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Because Andrew Steinmetz
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While Supplies Last Anita Lahey
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The Four-Doored House Pierre Nepveu
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Dandelion Daughter Gabrielle Boulianne-Tremblay
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Redemption Ground Lorna Goodison