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Photo of Barbara Mullally
Credit: Photo : Barbara Mullally

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  • Photo of Barbara Mullally Credit: Photo : Barbara Mullally
  • Photo of Barbara Mullally Credit: Photo : Barbara Mullally
  • Photo of Barbara Mullally Credit: Photo : Barbara Mullally

Artisan · Jewellery

Barbara Mullally

I love to work in metal. I am seduced by fire, the tools, the malleability and transformational quality of the materials.

Pieces evolve from stories, memorable places or times, and interesting stones. I love quirky ideas, odd juxtapositions, and humour. Lately I’ve been working with openwork organic designs combined with stones that I’ve gathered in over 25 years of collecting. I am excited by the colours I get with stones, copper and enamels, in addition to silver and gold. I love to make my signature three-dimensional pieces like my pea pods, and fold-formed leaves. My pieces must have presence and scale, but be light and always wearable.

I use carved bone in some pieces, creating tiny moon faces that characterize this work. Each is different: I collect expressions, sketching faces and capturing moods to use in new pieces.

I feel strongly that jewellery must not abandon its history of human adornment, as be a wearable, personal object. Jewellery that is not created by the human hand in concert with the human mind and spirit risks losing its identity.

I love playing with ideas, materials and fabrication techniques. As long as there are interesting ideas to explore, technical and creative challenges, I will hammer on.

Clayton, Ontario, February 2019

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My art education began at l’École des beaux arts du Québec where I studied sculpture, but my heart was always taken by small objects. The school did not offer a metals program, so later I studied silversmithing and jewellery making at Algonquin College in Ottawa and Haliburton School of the Arts, in addition to taking seminars and workshops.

I worked for the Federal Government in communications and senior management for over 35 years ,all the while studying and making jewellery and attending craft fairs. Since retirement in 2009 I’ve been working on my craft full-time. My husband is also an artist, and we share space at Moondance Gallery in Clayton.

My art education has proved valuable: I am a French docent at the National Gallery of Canada. Being surrounded by great art, and sharing my love of it with the public, especially school children, has definitely influenced my work.

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